{"id":7749,"date":"2020-01-02T10:09:03","date_gmt":"2020-01-02T10:09:03","guid":{"rendered":"https:\/\/everpress.com\/blog\/?p=7749"},"modified":"2020-01-03T12:58:30","modified_gmt":"2020-01-03T12:58:30","slug":"everpress-meets-designing-for-music","status":"publish","type":"post","link":"https:\/\/everpress.com\/blog\/everpress-meets-designing-for-music\/","title":{"rendered":"Everpress Meets: Designing For Music"},"content":{"rendered":"<h3>PATRICK SAVILE<\/h3>\n<p><em><span style=\"font-weight: 400;\">Graphic designer and illustrator <\/span><a href=\"https:\/\/www.instagram.com\/patricksavile\/?hl=en\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Patrick Savile<\/span><\/a><span style=\"font-weight: 400;\">\u2019s work has graced countless record sleeves, posters and tees (including his effort for HIGHPASS, which landed a spot on our <a href=\"https:\/\/everpress.com\/blog\/28-best-t-shirt-designs-of-2019\/\" target=\"_blank\" rel=\"noopener\">best tees of the 2019 roundup<\/a>.) Heavy on esoteric and sci-fi symbolism, his distinct retro-futurist aesthetic has earned him a client list that spans Warp Records, Tate, Pop Magazine, Sony\/RCA Records and Vice. <\/span><\/em><\/p>\n<figure id=\"attachment_7763\" aria-describedby=\"caption-attachment-7763\" style=\"width: 2722px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7763\" src=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/design-for-music.jpg\" alt=\"\" width=\"2722\" height=\"3024\" srcset=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/design-for-music.jpg 2722w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/design-for-music-270x300.jpg 270w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/design-for-music-768x853.jpg 768w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/design-for-music-922x1024.jpg 922w\" sizes=\"(max-width: 2722px) 100vw, 2722px\" \/><figcaption id=\"caption-attachment-7763\" class=\"wp-caption-text\">From left to right: Teti; Ben; Patrick. Photo courtesy of Everpress<\/figcaption><\/figure>\n<p><strong>What was your route into what you do now?\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">It was through doing a radio show years ago on Resonance FM called The Gravy, with my buddy Will. We had guests on regularly, and for a little while tried an online video broadcast thing (which I embarrassingly presented sometimes.) I met loads of people through that, and started to do designs for sleeves for a few artists, but it wasn\u2019t quite viable as a job at that point. So it started quite sporadically, and then I came back to it fully about three years ago, when I started working with Miles at Bokeh Versions.\u00a0<\/span><\/p>\n<figure id=\"attachment_7858\" aria-describedby=\"caption-attachment-7858\" style=\"width: 1080px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7858\" src=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/patricksavile_clams.jpg\" alt=\"\" width=\"1080\" height=\"648\" srcset=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/patricksavile_clams.jpg 1080w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/patricksavile_clams-300x180.jpg 300w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/patricksavile_clams-768x461.jpg 768w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/patricksavile_clams-1024x614.jpg 1024w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><figcaption id=\"caption-attachment-7858\" class=\"wp-caption-text\">Patrick Savile&#8217;s vinyl design for Clams Casino,\u00a0courtesy of Patrick<\/figcaption><\/figure>\n<p><b>How does designing for physical formats like T-shirts and record sleeves\/labels differ from digital?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s a pretty broad question, but digital-only has to be much simpler I reckon \u2013 just being able to work in the ocean of jpgs.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In terms of physical, I like to make sure the cover fits with the ecosystem of the rest of the design on the packaging, that means never just having an image on the front and featuring other stuff on the back too. I suppose the scaling of the type etc can be considered differently for vinyl due to its size, but usually I try and imagine something that will work on all sizes.\u00a0<\/span><\/p>\n<blockquote><p>I use a different style when I\u2019m working on tees, it\u2019s a lot more illustrative<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">As for tees, that\u2019s a completely different world! It has to be much more graphic. I only like T-shirts that have been screen printed, so that means creating a design that works within the limitations of the screen printing method. The imagery has to be bolder, and obviously limited in how many colours you use. I kind of utilise a different style when I\u2019m working on tees, at least some of the time, it\u2019s a lot more illustrative, as I feel that fits well with the medium.<\/span><\/p>\n<h3>TETI MARTINEZ<\/h3>\n<p><em><span style=\"font-weight: 400;\">Though she\u2019d been working in Art Direction for a while, a move from Barcelona to London proved to be the catalyst for\u00a0<a href=\"https:\/\/www.instagram.com\/cmdp.fk\/\" target=\"_blank\" rel=\"noopener\">Teti Martinez<\/a> to start designing for music, via a job at record label <a href=\"https:\/\/www.instagram.com\/lobstertheremin\/\" target=\"_blank\" rel=\"noopener\">Lobster Theramin<\/a>. With influences that include Greek and pagan Goddesses, sci fi, and retro rave motifs, Teti\u2019s output is super-eclectic \u2013 she even just put out a range of scarves based on her great-grandmother\u2019s UF0 and astrology book collection.<\/span><\/em><\/p>\n<figure id=\"attachment_7864\" aria-describedby=\"caption-attachment-7864\" style=\"width: 945px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7864 size-full\" src=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/teti-1.jpg\" alt=\"\" width=\"945\" height=\"1080\" srcset=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/teti-1.jpg 945w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/teti-1-263x300.jpg 263w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/teti-1-768x878.jpg 768w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/teti-1-896x1024.jpg 896w\" sizes=\"(max-width: 945px) 100vw, 945px\" \/><figcaption id=\"caption-attachment-7864\" class=\"wp-caption-text\">Teti&#8217;s Flyer for Naff, courtesy of Teti<\/figcaption><\/figure>\n<p><b>What was your first music project\/your route into what you do now?\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">When I moved to London in 2015 I first tried to continue working in Art Direction, which is what I was doing back in Barcelona, but without any luck. Ironically, something that I had never thought of, which was working in music and making a living from it, became my first job here, when I joined Lobster Theremin as their in-house designer. I worked twice a week with Jimmy (Asquith, the head of Lobster Theremin) at first, and then that evolved into a bigger thing while the label was growing. That opened the doors to many other projects and led to me meeting other clients in the music industry and has allowed me to work with many different artists, labels and promoters from around the globe. Working in music has allowed me to explore and develop a style that&#8217;s constantly evolving.<\/span><\/p>\n<figure id=\"attachment_7786\" aria-describedby=\"caption-attachment-7786\" style=\"width: 972px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7786 size-full\" src=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/TETI_EVERPRESS-MEETS.jpg\" alt=\"\" width=\"972\" height=\"1080\" srcset=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/TETI_EVERPRESS-MEETS.jpg 972w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/TETI_EVERPRESS-MEETS-270x300.jpg 270w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/TETI_EVERPRESS-MEETS-768x853.jpg 768w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/TETI_EVERPRESS-MEETS-922x1024.jpg 922w\" sizes=\"(max-width: 972px) 100vw, 972px\" \/><figcaption id=\"caption-attachment-7786\" class=\"wp-caption-text\">Teti&#8217;s T-shirt for our International Women&#8217;s Day campaign, courtesy of Teti<\/figcaption><\/figure>\n<p><b>How does designing for physical formats like T-shirts and record sleeves\/labels differ from digital?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I mostly work on posters and very few of them get printed. So it&#8217;s nice to be able to pick the materials and type of print, even making the physical elements become the protagonists by choosing the ways in which you mix them, and thinking about how they will feel in your hands. It&#8217;s always exciting to work on projects that will have a tangible, three-dimensional end result away from a bright computer screen.<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400;\">Working in music has allowed me to explore and develop a style that&#8217;s constantly evolving<\/span><\/p><\/blockquote>\n<h3>Ben Arfur<\/h3>\n<p><em><span style=\"font-weight: 400;\">Welsh graphic designer <a href=\"https:\/\/www.instagram.com\/ben.arfur\/\" target=\"_blank\" rel=\"noopener\">Ben Arfur<\/a> didn\u2019t set out to be a graphic designer. The self-taught designer initially went to uni to do English, and it was only through setting up a club night with friends that he got his start in the design world. Extremely prolific, he now works across record sleeves, posters and tees too. <\/span><\/em><\/p>\n<p><strong>What was your first music project\/your route into what you do now?\u00a0<\/strong><\/p>\n<p>My first avenue in was probably Blue Honey; something we started back in Cardiff in 2012. This started off as a string of club nights, clothing shop and finally we opened a bar. It involved producing a huge body of work, but ultimately it was key in giving my work purpose and getting the right eyes on it.<\/p>\n<figure id=\"attachment_7791\" aria-describedby=\"caption-attachment-7791\" style=\"width: 630px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7791\" src=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/Ben-Arfur.jpg\" alt=\"\" width=\"630\" height=\"700\" srcset=\"https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/Ben-Arfur.jpg 630w, https:\/\/everpress.com\/blog\/wp-content\/uploads\/2019\/12\/Ben-Arfur-270x300.jpg 270w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-7791\" class=\"wp-caption-text\">Ben Arfur&#8217;s Kinda Lonely T-shirt, courtesy of Ben<\/figcaption><\/figure>\n<p><strong>How does designing for physical formats like T-shirts and record sleeves\/labels differ from digital?<\/strong><\/p>\n<p>There&#8217;s obviously limitations with physical. For instance when I&#8217;m working on a physical sleeve, I&#8217;ll look into ways with the artist of incorporating materials or unique elements into the production.<\/p>\n<p><strong>Read More: <a href=\"https:\/\/everpress.com\/blog\/when-to-get-a-studio\/\" target=\"_blank\" rel=\"noopener\">Check out our &#8216;How To&#8217; series for more insights from our creative community.<\/a>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our talk series Everpress Meets sees us invite creatives to HQ to discuss their work. This time round, we sat down with Patrick Savile, Ben Arfur and Teti Martinez to talk designing for music.<\/p>\n","protected":false},"author":19,"featured_media":7940,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/posts\/7749"}],"collection":[{"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/comments?post=7749"}],"version-history":[{"count":61,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/posts\/7749\/revisions"}],"predecessor-version":[{"id":7942,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/posts\/7749\/revisions\/7942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/media\/7940"}],"wp:attachment":[{"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/media?parent=7749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/categories?post=7749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/everpress.com\/blog\/wp-json\/wp\/v2\/tags?post=7749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}